
MUMP
& SMOOT HISTORY 1986 - 2007 Mump
& Smoot are a Canadian clown duo created by Michael Kennard and John
Turner in 1988. Their shared penchant for human fears, magic, spiritualism, personal
values and dreaming resulted in the creation of two clowns of horror with the
joint credo, "Enjoy the process of living." These clowns reside on the
planet Ummo, worship their clown god Ummo, and speak their own brand of gibberish
- Ummonian. Michael and John met in 1986 in Second City workshops. As
a duo they discovered they had a good connection, especially when doing gibberish
exercises. They decided to work together beginning with homemade comedy videos.
It was also in Second City workshops that they met and began working with director
Karen Hines, who has gone on to direct all of their shows and is integral from
the developmental phase through to full production. Within a couple of months
news came of a highly acclaimed clown course taught by the man who would become
their mentor, the late Richard Pochinko. They quickly enrolled. Sixteen years
ago, on Friday the 13th of May, 1988, Mump & Smoot were born in their first
show Jump the Gun. Their distinctive style
of clowning finds its roots deep within their work with Pochinko who borrowed
from many traditions including AmerIndian, American and European to create a unique
form of training he called Canadian Clowning. They have also trained extensively
with their movement coach Fiona Griffiths and clown teacher Ian Wallace. Workshops
with Philippe Gaulier in Bouffon and John Towsen in physical comedy have also
been influential. Apart from numerous short sketches their primary repertoire
includes six full length shows, Something-1989, Caged-1990,
Ferno-1992, Tense-1997,
Something Else-1998 and Flux-2002.
Their critical acclaim and popularity was developed through consistent sell-outs
in the fringe festivals across Canada, which has lead them on to enjoy successful
runs in Toronto and at numerous North American regional theatres. These include:
The Canadian Stage Company in Toronto (Canadian Comedy Award, Best Performers-Something
Else, Dora Mavor Moore Awards, Best Production, Best Director-Flux), Yale Repertory
Theatre (Associate Artists 1994-2001), The American Repertory Theatre in Boston
(Boston Theatre Award for Outstanding Small Visiting Company), The La Jolla Playhouse
in California (Drama Logue award for best actors), The Dallas Theatre Centre,
the Pittsburgh Public Theatre, the Vancouver East Cultural Centre, the Globe Theatre
in Regina, and the World Stage Festival in Toronto. They also had the unique opportunity
to perform at two festivals in Israel and teach a clown workshop at the University
of Tel Aviv to a class made up of both Palestinians and Israelis. Although
their main focus has been theatre Mike and John have also had many television
appearances as well. As Mump & Smoot their appearances include; the C.B.C.'s
Edmonton Comedy Festival, Adrienne
Clarkson, Friday Night Live, The
Genie Awards, Midday, and Toronto
After Hours, C.T.V.'s Canadian Comedy Awards
and Dini Petty, the Comedy Network's Cream
of Comedy, HBO's Best of the US Comedy Arts Festival,
and several appearances on City's Breakfast Television.
Mike and John also wrote and performed in Global's children's show, The
Blue Rainbow, for three seasons as two other clowns Dirk & Drock. They
have also appeared in two short films through the Canadian Film Centre: their
own short The Princess Who Wouldn't Smile directed
by Paul Quarrington, and the award winning The Fairy Who
Didn't Want To Be A Fairy Anymore directed by Laurie Lind. In
1997 Mike and John opened The SPACE (Studio for Physical and Clown Exploration).
It is here they taught clown, created and rehearsed their shows, produced monthly
soirees, and directed and workshopped numerous student productions. The SPACE
received no arts council funding; however, with the outstanding clown community
support The SPACE was one of the most popular centres for independent theatre
until they closed their doors in 2002 after six great years. Mump
& Smoot have received substantial financial support from the Canada Council,
the Ontario Arts Council, and the Toronto Arts Council. Special mention should
also be made of the Fringe Festivals of Canada. These festivals have been invaluable
in the encouragement and development of Mump & Smoot to say nothing of Canadian
theatre in general. Company Mandate Our
mandate is to contribute to Canadian Clown Theatre and through our creative explorations
expand its current parameters (...to boldly go where no clown has gone before...).
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